Then I came across her post again today, that post was linked to Sputnik Music, and she talked about Radiohead. While I'm sure she has some very in-depth thoughts on the Radiohead distribution plan, I couldn't understand 1/5 of her post. This is her original post:
Originally Posted by Courtney
as for radiohead= they didcnt jump off a REAL clifff, they bungee jumped you KNOW the kamikaze pilot in me wnats to do the same dfamm thing excapt wuith my a lsit mnaterial, with the real thing- theyve made 9.7 m,illion in 3 weeks this way and its live junk-= not junk as radioheaddoesnt really amke JUNK but its live - most of it heard before( wich youve all heard liveversaionbs of things veryvery different than non live versions of things) i really think it couldf work do all my magazine covers in january - so the lead time in there kamikaze thropugh my junket my oprah my tv **** n the 2 week leaD UP and just jump of f that cliff i love doing things really first im greatful for radiohead for making the first move- id do it differentlyt -= thats why b sides are no longer b sisdes but have to be a sides to an extent-= cos theyre EXTRA TRACKS now wich can mean up to 500k to such and such sponsor coty./my space etc. ... i justthinjk offering about 10 songs but your best for "free" witha what am i worth sign not just NINs cast offs i mean yopur a sides- i don t know im percolating- i love risk and most everything ive ever done well has been because everyone said iw as crazy to do it-= thazts why words liek "risk management" and Rime management:" are4 resonating with me now.
Huh? What is she talking about here? I can sort of figure out that she said she appreciates Radiohead doing their "free" download thing, and something about a-sides or b-sides, something about NIN castoffs, and something about money. But other than that, I'm not smart enough to understand her.
And after looking around, I found a generous person translated Courtney Love's post in a language that I (sort of ) understand:
Originally Posted by Courtney Love Talks Radiohead
As for Radiohead: they didn't jump off a real cliff; they bungee jumped. You know the kamikaze pilot in me wants to do the same damn thing except with my A-list material, with the real thing. They've made 9.7 million in 3 weeks this way, and it's live junk—not junk, as Radiohead doesn't really make junk, but it's live—most of it heard before (which you've all heard live versions of things very, very different than non-live versions of things).
I really think it could work—do all my magazine covers in January so the lead time is there, kamikaze through my junket, my Oprah, my TV shit in the 2 week lead-up and just jump off that cliff. I love doing things really fast, I'm grateful for Radiohead for making the first move—I'd do it differently.
That's why b-sides are no longer b-sides but have to be a-sides to an extent, 'cause they're extra tracks now which can mean up to 500k to such and such sponsor company/MySpace, etc. I just think offering about 10 songs but your best for "free" with a 'what am I worth' sign—not just NIN's castoffs, I mean your a-sides—I don't know, I'm percolating. I love risk, and most everything I've ever done well has been because everyone said I was crazy to do it. That's why words like "risk management" and "time management" are resonating with me now.
Okay Courtney. And yes, I totally bookmarked your MySpace.
